PRODUCTION 2022

Friday, August 19, 2022

The Black Phone; movie 2022 review Full

 


THE BLACK PHONE
Cert 15
103 mins
BBFC advice: Contains child abduction theme, strong threat, violence, language, domestic abuse

Wow! What a surprise! The Black Phone was one of the most suspenseful movies we have seen in quite a while.
Mrs W usually avoids horrors but was glued to it from the start and we were both riveted with anticipation at its conclusion
And while there are some bloody scenes, the quality of Scott Derrickson's film comes from its mental torture rather than infliction of pain.
It also evokes memories of school days which many of us found more than a tad uncomfortable.
Set in 1978, The Black Phone stars Mason Thames as Finney, a boy who is bullied both at school and at home where his alcoholic widower father (Jeremy Davies) beats him and his sister (Madeleine McGraw).
His only saviour from attack is the school hard nut (Miguel Cazarez Mora) who repays his help with maths homework with friendship and protection.
Meanwhile, local children are beginning to disappear, believed to be kidnapped by a man who leaves black balloons as a calling card.
I feared that The Grabber (Ethan Hawke) would be a poor copy of Pennywise, the clown in It. But, while they have a similar-ish modus operandi, The Black Phone is very different.
It is a deliberately claustrophobic film but has an ingenious way of bringing in characters.
And, with one of the central elements being a girl whose 'dreams turn out to be real', it has a new and lively strand.
In addition, the acting of the young people is top notch - especially Thames and McGraw who bring the audience onside as they battle adversity on myriad fronts.
But the key to The Black Phone is that it completely defied our expectations. In a summer of hum-drum and disappointments, this bucked the trend.

Reasons to watch: Quality suspense
Reasons to avoid: Bloody scenes

Laughs: None
Jumps: One
Vomit: None
Nudity: None
Overall rating: 9/10


Did you know? The Black Phone is adapted from a short story written by Joe Hill, the son of master horror writer Stephen King. 

The final word. Scott Derrickson: "For me, making these movies is always a cathartic experience. It’s always a way of dispelling anxiety and fear, never creating it." Time


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