PRODUCTION 2022

Wednesday, September 21, 2022

275. Men; movie review

 


MEN
Cert 15
100 mins
BBFC advice: Contains strong gore, horror, sexual threat, language, suicide, domestic abuse

It's not often that I would appreciate a movie which is quite as bizarre as Alex Garland's Men but, in my view, this is weird in a good way.
The quality acting of Jessie Buckley and the amazing Rory Kinnear combined with the eeriness conjured by the director really grabbed me.
Indeed, I even accepted its very very strange finale.
"What was it all about?" asked Mrs W as the credits rolled. "Beats me, but I liked it," I replied.
Buckley plays Harper who has rented a luxury country cottage as she attempts to recover from the violent suicide of her husband (Paapa Essiedu).
She is greeted by her host (Rory Kinnear), a figure who reminded me of Harry Enfield's Tim-Nice-But-Dim and for whom nothing appears to be too much trouble,
But pretty soon she is encountering all sorts of oddballs who are also played by Kinnear.
These range from an injured naked man who doesn't speak, a misogynist vicar, a foul-mouthed schoolboy and a police officer.
There is a feel of the Whicker Man about Garland's film and Buckley's character becomes progressively more fearful of her surroundings and the people within them.
Meanwhile, to state that Kinnear has the opportunity to demonstrate his full range must be the understatement of the year,
The longer it goes on the more difficult Men is to explain right up until a finale which is completely off-the-wall.
What does it all mean? I'm afraid I have absolutely no idea but I shan't be forgetting it in a hurry.

Reasons to watch: Totally original horror
Reasons to avoid: Will be to abstract for some

Laughs: One
Jumps: One
Vomit: None
Nudity: Yes
Overall rating: 8/10


Did you know? Alex Garland made his directorial debut with Ex Machina, the 2014 film based on his own story and screenplay.

The final word. Alex Garland: "It’s impossible, or very difficult, to make a film like that without thinking of the original Wicker Man. All folk horror that comes after The Wicker Man owes it something, in the same way that all deep-space movies owe something to 2001: A Space Odyssey. BFI

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